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The Provence

Fascinated by the marvellous realism of the nature which surrounds it, Franck Carron restores with subtlety the light, in his most infinite transparencies and the his variations.

Thus the Beams of Provence and the Mediterranean creeks, in their astonishing diversities, appear truer than natural. And its gardens, populated lavenders and gasolines chatoyantes, seem to spread their scents sauvageonnes beyond the fabric!

Obviously this painter has a technique which forces admiration and the subtlety of its key pointillist falls under the line of an impressionist painting, visited Carron writing







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Working with richness the glacis in the force of the Colour to return the glare vibrating of the sun, this at the same time powerful and subtle key, does not seek to idealize its subject, prefer to return the vibrating glare of the sun to him, this at the same time powerful and subtle key, does not seek to idealize its subject, preferring to pay homage to him by magnifiant the realism of a nature, so marvellous in oneself.

Thus an escapade in Alpilles, or a walk at sea, allows the artist of enivrer of a reason which it restores of memory, with the workshop, extremely of an incredible visual capacity.

A exercise which enables him to return the spirit of the scene, and its impressions, by translating the eloquence naturalist with a richness and a communicative sincerity

And its triptychs or its panoramic, true doors open on the infinite one, discover sunny spaces favourable with the dreams.

By sublimating the naturalness with a precision that is interested in the least details, Carron composes a?uvre of a great as beautiful and tempting simplicity as natural happinesses.

Articles drawn from Arts topicality July 1999 of Mr Thierry Sznytka

   
 

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